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Accessed from the orb in the shop (after you download the DLC for free), it serves as a standalone set of missions across three new locales, with new concepts to boot.
When I play Messenger I just want to ninja flip through obstacle courses and fight cool bosses, not pixel-hunt for a fake boulder I missed that leads to a critical new zone.īut since Picnic Panic is very much a linear experience, I took to it instantly. Mostly so I didn’t have to wander through levels I had already beaten once for an item that gave me the privilege of repeating yet another level. There are so many objects to hunt for at the end that finding them was a chore, and I longed for the portions of the story where I unlocked a new contained zone. This level of freedom allows for some incredible bouts of level design, and perhaps lead to the concept of allowing players to work their way backward through nearly every portion of the game to slot in the surprise Metroidvania conceit.įor me, those exploration bits were just a little too meandering. The Messenger is backed by a killer mechanical base, best exemplified through “cloud-stepping,” or, a chance to trigger an unlimited amount of jumps so long as you connect with an enemy or a piece of the environment. Although the core experience was met with rave reviews and unanimous love, something happened roughly halfway into the game when it drastically shifted from a more than competent old school platformer to a Metroidvania: my interest waned. To my surprise, Picnic Panic might be the best single bit of Messenger. What perfect timing too since I could breeze through the new recent (and free) Picnic Panic DLC alongside of the main game.
But at some point in my recent Family Matters series re-watch marathon (no Stefan yet), after downing three other backlogged Switch games, I popped in The Messenger. I don’t know why (I actually do, I was playing a ton of games in August 2018), but I never got around to playing more than 30 minutes of The Messenger at launch. I’m a little late to the party with The Messenger.